“The Mandalorian continues Star Wars' penchant for creating worlds that are overwhelmingly populated by men.”
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“The aspirations of Hollywood feel genuine, yet glaring moments of oversight make it hard to fully embrace.”
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“Love, Victor centers characters of color, but never quite digs into what that means.”
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“Never Have I Ever perplexingly dabbles in casual Islamophobia, ableism, and fatphobia.”
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“British Asian actor Sacha Dhawan shines as Orlo, a career bureaucrat in Peter’s inner circle.”
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“Dickinson challenges our straight-washing of history and allows for nuanced takes on love and attraction.”
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“The overwhelming majority of The Affair’s episodes are directed by men, making it difficult to push beyond the male gaze.”
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“For the first time in SVU history, women will outnumber men in the writers’ room.”
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“Agents of S.H.I.E.L.D. commits to a diverse cast but unequal screen time for women mars its record on overall inclusiveness.”
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“The unsparing nature of When They See Us has sparked conversations about whether it’s another in a long line of works that rehash Black trauma.”
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“Russian Doll smashes the Bechdel test, with women speaking over 70% of all dialogue.”
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“Based on true events, Gentleman Jack proudly celebrates queer history.”
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“I was brought back to my first confrontations with racism, with having someone insist that I was somehow different or inferior.”
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“The three main characters share a polyamorous relationship that has been done right, avoiding fanservice or a toxic love triangle.”
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“Ramy captures what it’s like to grow up as an Arab Muslim in America while providing a multitude of entry points for other communities.”
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“Penned exclusively by Black and Latinx writers, On My Block tackles race from an informed place.”
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“Sex Education indulges our yearning for the past while allowing us to see it through a more forward-looking lens.”
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“It’s a welcome anomaly to see a 72-year-old woman thriving professionally at the center of a show.”
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“Watching the Derry Girls covet hot guys, set curtains on fire, sneak tequila, and altogether act in ‘unladylike’ ways provides no end of amusement.”
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“Theodora may be the only queer Crain but her romantic entanglements are just as messy and realistic as those of her siblings.”
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