“Severance has a touching LGBTQ storyline that explores the complexities of queer relationships within the rigid confines of corporate environments.”
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“In just two seasons, Yellowjackets has become a staple show for queer viewers.”
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“House of the Dragon is a marked improvement over Game of Thrones, but it can still do better by its disabled and queer characters.”
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“Fallout’s heart is in the right place, but more work needs to be done for it to become the inclusive show it thinks it is.”
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“Mr. and Mrs. Smith tackles the intricacies of interracial relationships by showing us tough but open conversations.”
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“Throughout The Office, Phyllis, Stanley, and Kevin are repeatedly fat shamed in a way that normalizes the mockery rather than satirizing or critiquing it.”
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“The Boys attempts to provide positive examples of women, people of color, and queer people, but the nuance just isn’t there.”
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“Dead Boy Detectives portrays a wide range of LGBTQ experiences that can help queer people feel seen at any point on their journeys of self-discovery.”
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“In the world of Good Omens, it’s a refreshing approach that all characters should be considered queer until proven otherwise.”
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“3 Body Problem’s most prominent deviation from the source material adds inclusion, which pays off creatively and commercially.”
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“Three Little Birds spotlights the Windrush Generation and recognizes Caribbean immigrants’ outsized contributions to British culture.”
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“Avatar: The Last Airbender is unconcerned with modern navigations of prejudice and reads as an aspirational fantasy where such things are immaterial.”
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“Friends punches down on every marginalized identity in sight.”
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“Ted Lasso shows how much work goes into maintaining mental health, revealing it to be the ongoing journey it is.”
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“The kindness and warmth of Heartstopper’s female friendships provides a refreshing take to the cattiness other media tends to project onto teen girls.”
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“In The Real Housewives: Ultimate Girls Trip, everyone’s ridiculous but no one feels like a stereotype.”
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“I can’t remember the last time I’ve felt so seen by a show, or felt so strongly that watching Beef has helped me to see others.”
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“Star Trek: The Next Generation’s greatest sin was the way it failed some of its cast members.”
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“The White Lotus still struggles to write well-rounded characters of color, but improves on its first season in almost every other regard.”
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“Unlike on other networks, viewers do get a say in how stories unfold on C-SPAN.”
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