“As brilliant as Dana Scully was, and as badly as young women needed her, she remained frustratingly beyond the grasp of the men who wrote her.”
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“Altered Carbon takes a difficult task—putting an Asian man’s consciousness into a white protagonist’s body—but largely pulls it off.”
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“While other shows may cast Black supporting characters, seldom do we see our unique life experiences centered.”
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“British history is much more diverse than TV would have us think. Thankfully, the writers of Harlots seem happy to rectify this.”
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“Viewers of The Bold Type get to see what an open relationship entails, sans the heavy-handed moralizing that normally accompanies the topic.”
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“Shadowhunters has the only asexual character in all of cable television.”
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“Not only does One Day at a Time snatch the winning crown for the most inclusive show at Mediaversity, it blows its competition out of the water.”
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“It's so rare to see on TV the humanization of seniors who live with Alzheimer's disease.”
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“Cousineau’s troupe of hopefuls is fairly diverse, but they’re so one-dimensional that it’s mostly symbolic.”
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“Rooting for a show doesn’t always mean it will always live up to its potential.”
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“This Is Us smashes barriers in its exploration of mental health and addiction.”
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“In recent years, writers of Grey’s Anatomy have gained the courage to adapt a more intentional approach to diversity.”
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“Pose delivers a fabulous look at 80s ball culture while breaking ground for trans women, people of color, and the LGBTQ community as a whole.”
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“Season 2 introduces the show’s first openly gay character in the form of a dancer named Yolanda.”
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“Sandra Oh finally has a role worthy of her acting chops in Killing Eve.”
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“This season, the power belongs solely with the women.”
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“Anissa shines as the first Black lesbian superhero on TV and her significance can’t be overstated.”
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“Brooklyn Nine-Nine goes out of its way to speak directly to its audience and say, ‘we see you.’”
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“Howards End demonstrates how a period drama can revisit a classic work while enhancing the original vision for modern audiences.”
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“I wanted to give Younger full marks for gender parity, but the romance between Liza and her boss is extremely problematic, particularly in the #MeToo era.”
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