“Argylle hypersexualizes most of its female spies and barely remembers to include characters of color, all of them tokenized.”
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“Mean Girls takes a benign but superficial approach to diversity.”
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“Characters in The Holdovers have an assortment of disabilities—some of them normalized, but some that border on cliché.”
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“Killers of the Flower Moon stakes its curiosity in the sins of white men rather than in the rich lives and contributions of Native peoples.”
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“It’s wonderful to see such breadth of Black identities and skin colors in this Scottish, Glasgow-set story.”
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“Barb and Star proves that comedy doesn’t have to be offensive to make people laugh.”
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“The Forty-Year-Old Version scathingly critiques the institution of theater.”
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“The Peanut Butter Falcon’s lesson in positive masculinity contributes to the ongoing conversation about what it means to be a man in the modern era.”
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“Ruby must deal with the stigma of being a Black woman in the VERY white Irish mob. But like so many topics in The Kitchen, nothing ever comes to fruition.”
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“Long Shot openly acknowledges racial bias using a tone that edges toward satire. However, there is no real attempt at a remedy.”
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“Although marketed as a lighthearted rom-com with positive messages, Sierra Burgess crosses too many ethical lines to fully enjoy.”
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